“Leonardo’s great accomplishment was that he erased the distinctions between art and ideas, putting a positive, endgame value on long-term exploring over short-term arriving”
, art critic for the New York Times. Thoughts about the Louvre retrospective of Leonardo da Vinci and honoring the 500th anniversary of his death.
PARIS — To judge by the marketing hullabaloo, the Leonardo da Vinci retrospective that opens here Thursday at the Louvre should be the visual equivalent of a 21-gun salute and a trumpet-and-trombone choir. Blockbuster’s plastered all over it, and rightly so. Timed-ticket sales for its one-stop run are moving right along.
But the marvelous show you actually see, honoring the 500th anniversary of Leonardo’s death, is, tonally, some other thing: quieter, slower, better. It’s a succession of major painterly melodies set among ink-drawn pre-echoes and reverbs. It’s a confluence of presences and absences — art that’s there and some…
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